@article {12077,
	title = {Paradigmou s{\'u}{\v c}asn{\'e}ho umenia je neautenticita},
	journal = {Filozofia},
	volume = {70},
	number = {9},
	year = {2015},
	pages = {736-747},
	type = {State},
	abstract = {Nathalie Heinich distinguishes a mutation in the history of art, which appeared due the development of contemporary art. Analyzing a contemporary work of art she finds the non-authenticity to be its essential quality. It is this quality that makes the contemporary work of art different from a modern one laying the claim to authenticity. Non-authenticity presents itself in the author{\textquoteright}s intention as untrustworthiness, cheat, insincerity, impersonality, giving up interiority etc.; in the relationship between the artist and his/her work then as breaking the continuity between the two.},
	keywords = {Cheat, Contemporary art, fumigate, Non-Authenticity, Singularity, Transgression},
	author = {Karul, R{\'o}bert}
}
