@article {11727,
	title = {Várossov pojem umeleckého obrazu vo svetle súčasných vied o obraze},
	journal = {Filozofia},
	volume = {69},
	number = {2},
	year = {2014},
	pages = {154-163},
	type = {State},
	abstract = {Artistic image is one of the central concepts of Váross{\textquoteright}s posthumously published writings titled <i>From creativity to creation</i> (Bratislava 1989). Contrary to most common users of language in Váross the concept was to denote the concretization of an artwork in the percipient{\textquoteright}s consciousness. The paper aims at a closer analysis of Váross{\textquoteright}s definition of the concept in question, bringing the related citations and showing its place within a wider context of Váross{\textquoteright}s theory of art. Further, it unveils some connections between his definition of artistic image and the key issues of the theory of image as reflected in contemporary image sciences (<i>iconology, Bildwisseschaften</i>).},
	keywords = {Art, History of art theory, Iconology, Image, M. Váross, Philosophy of image},
	author = {Ger{\'a}t, Ivan}
}
