<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Michal Lipták</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">K fenomenológii umenia a k jej aplikácii na konceptuálne umenie</style></title><secondary-title><style face="normal" font="default" size="100%">Filozofia</style></secondary-title><translated-title><style face="normal" font="default" size="100%">On the Phenomenology of Art and Its Application on Conceptual Art</style></translated-title></titles><dates><year><style  face="normal" font="default" size="100%">2011</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.klemens.sav.sk/fiusav/doc/filozofia/2011/5/497-501.pdf</style></url></web-urls></urls><number><style face="normal" font="default" size="100%">5</style></number><volume><style face="normal" font="default" size="100%">66</style></volume><pages><style face="normal" font="default" size="100%">497-501</style></pages><abstract><style face="normal" font="default" size="100%">The paper tries to outline the basic ways of applying Husserl’s phenomenology on art. The main focus is on the aesthetic object defined by Husserl's concepts of modifications of positionality and neutrality. The conception is then applied on the conceptual art (namely one of the works of art of Joseph Kosuth), which contradicts the idea of aesthetic objects. The paper tries to show, however, that the conceptual art does not cancel phenomenological approach. On the contrary, in interpreting this kind of art phenomenological approach proves very fruitful.</style></abstract><work-type><style face="normal" font="default" size="100%">Mladí filozofi</style></work-type></record></records></xml>